Seiden Sekito - Granite Stone Pagoda

Two Buddha sequence sit sublime treasure of dignity.
Stone pagoda is the Heian period, it came to be made on the basis of the teachings of esoteric Buddhism. To the "Lotus Sutra" in the "look pagoda goods (Ken Hotobon) Chapter XI", it has been drawn following a scene that shows the origin of the pagoda. If there when Shakanyorai is preaching the Lotus Sutra toward the people, suddenly from the ground, appeared a huge tower was studded with a lot of jewelry, "Zenzai (wonder if good) from within, (wonder if good) Zenzai (great !) "loudly that it was heard. The voice of the Lord was Tathagata Tatakara. Prabhutaratna will share half of the seat and invited the Shakanyorai into the tower, the two Buddha was Namisuwa (tack locus) in Hoto. Prabhutaratna is a past form of Shakanyorai, one of Shakanyorai is the Buddha of the corrupt world (Kurumaba) world (this world). Therefore two Butsunami seat (to hit stud seat) in the pagoda indicates that Shakanyorai there was in the Buddha from the distant past, it indicates that the central Buddha serving Buddha is just the presence of the eternal.
Square of the foundation from the bottom, circular winnowing fan (Pudong New Area), shade, the format of the pagoda made from the configuration of Sorin tower (Sorin), but what was shaping the basic Lotus Sutra seen pagoda goods, to the esoteric is this winnowing fan is considered also as Dainichi (the Buddha of the universe root). For this reason, on the one hand to the shaft portion of the winnowing fan there is something that represents a sitting two Butsunami of Tatakara-Buddha, there are those of the four-way Buddha thin carving, and out of time and four sides of the Sanskrit and door type that represents a Tathagata Gochi .
Japanese than the old
Stacking upcoming prayer,
It is a treasure.
Esoteric Buddhism is respect, pagoda from the southern tower.
Will protect the basis that wearing a Omi pattern,
Single tower that crowned the Sorin tower received a shade to the tower body.
Stone art has received a range in the figure and work of the Kamakura period that forms a flower,
Bishan Slapping finish than the old, which melt together and when is expose the real face of the stone.